The 3rd Munich Surf & Skate Festival, brings enthusiasm for the boards that mean the world to the city. For the first time at the start of the film festival. All you need to know about waves and half-pipes, here on mucbook
Popout
Surf & Skate Spot Festival Munich 2012 from HHonolulu events on Vimeo.
Opening the festival is "Cinema City" at 01 August by 20 clock. Shown are the films "Surfing Shark" and "Last Paradise".
A highlight of the "Miss Grüneis". At 03 August invites the kiosk at a 18 Eisbach clock to the opening of the "Surf & Skate Exhibition". The exhibition will open at 10 days, the remaining clock. Works, photographs and sculptures show the passion of local and national artists for the art on boards.
On the Würm Bavarian Waters offers on Saturday 04 August by 10 clock to a SEA tour, followed by 16 clock, a workshop on Flosslände.
At P1, the label Iriedaily built a mini ramp, which presents the clock from 18 KidsConest. By
20 clock takes place together with the great contest on the Boarders
Iriedaily miniramp that promises participants a lot of prizes. Everybody can sign at: roman@boarders-muenchen.de
Following is celebrated on the legendary O'Neil Surf & Skate Festival Party presented by Planet Sports. The hottest DJs on the board sports scene Hannes and Sir Alex Schiller, hang up and make the festival a memorable one.
Clock
starts on Sunday at 16 a longboard in the Miss Grüneis Cruise, at 19
the clock at the movies, moon & stars reach his goal. We continue here with the finale of the festival. The premiere of the movie "Fighting Fear" and the "Eisbach Short Movie Awards" are a worthy conclusion.
Tuesday, July 31, 2012
Monday, July 30, 2012
Vignette: Cynicism illustrated: See the phone
What do you think of this illustration of Eduardo Salles? Do you think looking at the cell distracts us from the life that enriches? Write a story, a story or a fable that illustrates your opinion.
Drop down to write: Cynicism illustrated: See the phone (pdf)
instructions
1. Look at the cartoon and tries to interpret the text with the help of visual context.
2. Talk to your peers about cultural perspectives revealed in the images.
3. Reflect on the theme suggested in the worksheet.
4. Write something imaginative and original related to the topic.
5. Check your composition with your teacher and your classmates.
6. Post it. Send me your suggestions: exemplary, student-products ARROBA zachary-jones DOT com.
Sometimes we find it difficult to be creative when writing, especially when trying to write something original in a foreign language. So I created this series of creative writing activities, entitled Drop to escibir!, Which uses the comics for inspiration.
Drop down to write: Cynicism illustrated: See the phone (pdf)
instructions
1. Look at the cartoon and tries to interpret the text with the help of visual context.
2. Talk to your peers about cultural perspectives revealed in the images.
3. Reflect on the theme suggested in the worksheet.
4. Write something imaginative and original related to the topic.
5. Check your composition with your teacher and your classmates.
6. Post it. Send me your suggestions: exemplary, student-products ARROBA zachary-jones DOT com.
Sometimes we find it difficult to be creative when writing, especially when trying to write something original in a foreign language. So I created this series of creative writing activities, entitled Drop to escibir!, Which uses the comics for inspiration.
Friday, July 27, 2012
Camera - Herbaceous sounds capes
For a while I have a Fauble for Krautrock sounds and motor skills development. So happy I am always happy when it get to hearing new bands, which are the heritage of New!, Can and La Dusseldorf accept. Camera from Berlin are such a young band who have played together already Legencde Michael Rother. And you can hear that her latest song "abroad" is definitely on - driving rhythms and hypnotic guitars make the song a perfect companion for a sunny day. Accesses, as long as there is the track for free!
Thursday, July 26, 2012
Emotional roller coaster 'Jealous Girl' by Ben Kweller
On one side are those relationships strong and stable. In addition, however, are what I call "emotional roller coaster" where the emotional ups and downs are the order of the day. Screams, jealousy, arguments in public ... The max mix in this type of "affaires" becomes so deadly that our friend Ben Kweller has not hesitated to talk about all this in 'Jealous Girl' latest single "Go Fly a Kyte "LP filed earlier this 2012.
Taking advantage of this promotional Ben has risen to the network with the same theme music video directed by Mike Angelo Torres, and performed by actors Arienne Gray Williams and Adkins. In this appreciate how intense and passionate love ends up becoming a direct path to death for the (apparently) poor kid living bipolar anger his girlfriend.
If you go the Californian music we recommend that you approach the November 15 by the Apolo in Barcelona. Ben Kweller perform an exclusive performance in Spain with a view to promote their latest LP! Tickets can purchase from the same and from 20 euros (no fee) via Ticketmaster.
Wednesday, July 25, 2012
The history of rock & roll guitar riffs in 100
Yesterday I was looking for various network news when I suddenly came across a video that caught my attention. It is entitled "100 Riffs" and in this American Alex Chadwick plays non-stop 100 of the most memorable riffs in the history of rock & roll. From Chet Atkins, Johnny Cash and Buddy Holly through Fleetwood Mac, Cream and Hendrix and reaching contemporary geniuses like The Black Keys, St. Vincent and Foo Fighters.Here's for everyone!.
The guitar used in this unusual recording is a Fender Stratocaster 58. To follow one by one the topics to be playing, I recommend you to take a look at the complete listing / guide that you attach just below the video to Vimeo.
1 Mr. Sandman – Chet Atkins
2 Folsom Prison Blues – Johnny Cash
3 Words of Love – Buddy Holly
4 Johnny B Goode – Chuck Berry
5 Rumble – Link Wray
6 Summertime Blues – Eddie Cochran
7 Pipeline – The Chantays
8 Miserlou – Dick Dale
9 Wipeout – Surfaris
10 Daytripper – The Beatles
11 Can’t Explain – The Who
12 Satisfaction – The Rolling Stones
13 Purple Haze – Jimi Hendrix
14 Black Magic Woman – Santana
15 Helter Skelter – The Beatles
16 Oh Well – Fleetwood Mac
17 Crossroads – Cream
18 Communication Breakdown – Led Zeppelin
19 Paranoid – Black Sabbath
20 Fortunate Son – Creedence Clearwater Revival
21 Funk 49 – James Gang
22 Immigrant Song – Led Zeppelin
23 Bitch – Rolling Stones
24 Layla – Derek and the Dominos
25 School’s Out – Alice Cooper
26 Smoke on the Water – Deep Purple
27 Money – Pink Floyd
28 Jessica – Allman Brothers
29 La Grange – ZZ Top
30 20th Century Boy – T. Rex
31 Scarlet Begonias – Grateful Dead
32 Sweet Home Alabama – Lynyrd Skynyrd
33 Walk This Way – Aerosmith
34 Bohemian Rhapsody – Queen
35 Stranglehold – Ted Nugent
36 Boys Are Back in Town – Thin Lizzy
37 Don’t Fear the Reaper – Blue Oyster Cult
38 Carry on My Wayward Son – Kansas
39 Blitzkreig Bop – The Ramones
40 Barracuda – Heart
41 Runnin’ with the Devil – Van Halen
42 Sultans of Swing – Dire Straits
43 Message in a Bottle – The Police
44 Hey Hey, My My (Into the Black) – Neil Young
45 Back in Black – AC/DC
46 Crazy Train – Ozzy Osbourne
47 Spirit of Radio – Rush
48 Pride and Joy – Stevie Ray Vaughan
49 Owner of a Lonely Heart – Yes
50 Holy Diver – Dio
51 Beat It – Michael Jackson
52 Hot For Teacher – Van Halen
53 What Difference Does It Make – The Smiths
54 Glory Days – Bruce Springsteen
55 Money For Nothing – Dire Straits
56 You Give Love a Bad Name – Bon Jovi
57 The One I Love – REM
58 Where the Streets Have No Name – U2
59 Welcome to the Jungle – Guns N’ Roses
60 Sweet Child ‘O Mine – Guns N’ Roses
61 Girls, Girls, Girls – Motley Crue
62 Cult of Personality -Living Colour
63 Kickstart My Heart – Motley Crue
64 Running Down a Dream – Tom Petty
65 Pictures of Matchstick Men – Camper Van Beethoven
66 Thunderstruck – AC/DC
67 Twice as Hard – Black Crowes
68 Cliffs of Dover – Eric Johnson
69 Enter Sandman – Metallica
70 Man in the Box – Alice in Chains
71 Smells Like Teen Spirit – Nirvana
72 Give it Away – Red Hot Chili Peppers
73 Even Flow – Pearl Jam
74 Outshined – Soundgarden
75 Killing in the Name – Rage Against the Machine
76 Sex Type Thing – Stone Temple Pilots
77 Are You Gonna Go My Way – Lenny Kravitz
78 Welcome to Paradise – Green Day
79 Possum Kingdom – Toadies
80 Say it Ain’t So – Weezer
81 Zero – Smashing Pumpkins
82 Monkey Wrench – Foo Fighters
83 Sex and Candy – Marcy Playground
84 Smooth – Santana
85 Scar Tissue – Red Hot Chili Peppers
86 Short Skirt, Long Jacket – Cake
87 Turn a Square – The Shins
88 Seven Nation Army – White Stripes
89 Hysteria – Muse
90 I Believe in a Thing Called Love – The Darkness
91 Blood and Thunder – Mastodon
92 Are You Gonna Be My Girl – Jet
93 Reptilia – The Strokes
94 Take Me Out – Franz Ferdinand
95 Float On – Modest Mouse
96 Blue Orchid – White Stripes
97 Boulevard of Broken Dreams – Green Day
98 Steady As She Goes – The Raconteurs
99 I Got Mine – Black Keys
100 Cruel – St. Vincent
Tuesday, July 24, 2012
Essential Classics by Bach's Goldberg Variations
Musicmonday Musik place in the 21 Century
has new distribution channels and, in addition to numerous uncontested
risks and new opportunities, if you use them for white and finds its
audience. In
my "free and very good" article series, I've already pointed out
several alternative sales concepts, which all have in common is that the
music in the form of a download for free (or at least without mandatory
costs) finds its way to the listener. They are therefore only a limited extent as a substitute for commercial distribution of music. This limits their opportunity, but not always a significant loss of quality.
Crowd funding, i.e. collecting money for a specific project before the actual implementation is a method by which more and more unusual productions are realized outside the mainstream. The idea sounds exciting: It calculates its budget for the project and then collects the money from big-spending fans who receive not only the end product, but a few extras (to be on the bonus track to the private living room concert everything offered, depending on the size the donation, of course). If the financial needs once met by donations, you can implement without great economic risk his idea. If you have calculated correctly, then you can pay musicians, technicians, and possibly the CD pressing plant and minimizes the risk of a financial fiasco due to lack of sales. What sounds like a little realistic concept has, quite successful: For example, the largest crowd funding platform Kickstarter pumped no less than 36 million U.S. dollars (28.5 million euros) in the last 4 years in musical projects, including at least after all, accounted for $ 1.5 million on projects with classical music (which account for only 4% of projects).
JS Bach: Goldberg Variations - TitelseiteSo has seen it's no wonder that the Open Goldberg's project was a great success. Obviously there was plenty of donors who were willing to participate with a donation to the public domain edition (sheet music and recording) of the legendary Goldberg Variations by Johann Sebastian Bach (1685-1750). The financial success of the project but says nothing about the artistic value of consumption by Kimiko Ishizaka. Gave free shots of the Goldbergs on the net before: A fairly decent recording of Jeremy was thinking I imagined at this point already, a now copyright free version (public domain), the legendary 1945s recording of the Goldberg Variations pioneer Wanda Landowska there are also free here at archive.org). There are other examples that I may want to introduce in the coming weeks and months here (you can never have enough Goldbergs have, n'est-ce pas?). In addition, many would even the legendary 1955 recording of Glenn Gould, have standing in the closet (or even the often underrated 1981's new recording). At Goldberg Variations was not really lacking in the music world.
Kimiko is IshizakaIm case of this recording by Kimiko Ishizaka it is not only a free but also a very artistically successful recordings. Who knows, only the version of Glenn Gould, who will be surprised once in this recording: Kimiko Ishizaka generally takes significantly more time than Gould. While Gould wanted to represent the contrapuntal structure as a whole (and, with all due respect, even his playful mannerisms), it emphasizes the subtle ramifications canonically constructed within individual sentences. Her playing is clean and does not even in the fast passages hasty. Overall, one gets the impression that she has put great care into each individual variation. I would even go so far as to call it in an original recording (in terms of historical performance practice): Although she was on a modern concert grand (and not on a harpsichord), avoids modernisms Kimiko Ishizaka and interpretive liberties.
To put it in a nutshell: I do not think you should know the Goldberg Variations in only one version. The work is fascinating, too complex to know only the ultimate version - but Kimiko Ishizaka artistically recording can compete with the best recordings to modern concert grand. And, given the large number of recordings a plus point: While digging deep into their pockets for other recordings must obtain a valid here, first class for free admission, with a free license. And anyone who has interest in, the same can also still the notes and / or the iPad app for free to do so.
The sound recording is simply amazing the way, and goes far beyond the level that we know of free shots usually the contrary, the clear, clean and warm sound of the recording can compete with so many commercial recording. Since there's gold in the Open lossless audio formats (FLAC, WAV), one has to fear no audiophile sound degradation through audio compression.
Conclusion: Kimiko Ishizaka recording is not only free, it is also an artistically sophisticated, excellent unconverted recording of the Goldberg Variations. Of course, there is strong competition in the commercial sector, including and especially on the piano (the two recordings by Glenn Gould from 1955 to 1981, I've mentioned before, the shots of Angela Hewitt (2000) and Andras Schiff (2003) are also welcome as reference images called), but this free public domain recording is a very good starting point to enter into the wonderful world of the Goldberg Variations. Who's Goldberg Variations, in a way or other recording does / should have, yet do not let this excellent, thorough recording missed.
Crowd funding, i.e. collecting money for a specific project before the actual implementation is a method by which more and more unusual productions are realized outside the mainstream. The idea sounds exciting: It calculates its budget for the project and then collects the money from big-spending fans who receive not only the end product, but a few extras (to be on the bonus track to the private living room concert everything offered, depending on the size the donation, of course). If the financial needs once met by donations, you can implement without great economic risk his idea. If you have calculated correctly, then you can pay musicians, technicians, and possibly the CD pressing plant and minimizes the risk of a financial fiasco due to lack of sales. What sounds like a little realistic concept has, quite successful: For example, the largest crowd funding platform Kickstarter pumped no less than 36 million U.S. dollars (28.5 million euros) in the last 4 years in musical projects, including at least after all, accounted for $ 1.5 million on projects with classical music (which account for only 4% of projects).
JS Bach: Goldberg Variations - TitelseiteSo has seen it's no wonder that the Open Goldberg's project was a great success. Obviously there was plenty of donors who were willing to participate with a donation to the public domain edition (sheet music and recording) of the legendary Goldberg Variations by Johann Sebastian Bach (1685-1750). The financial success of the project but says nothing about the artistic value of consumption by Kimiko Ishizaka. Gave free shots of the Goldbergs on the net before: A fairly decent recording of Jeremy was thinking I imagined at this point already, a now copyright free version (public domain), the legendary 1945s recording of the Goldberg Variations pioneer Wanda Landowska there are also free here at archive.org). There are other examples that I may want to introduce in the coming weeks and months here (you can never have enough Goldbergs have, n'est-ce pas?). In addition, many would even the legendary 1955 recording of Glenn Gould, have standing in the closet (or even the often underrated 1981's new recording). At Goldberg Variations was not really lacking in the music world.
Kimiko is IshizakaIm case of this recording by Kimiko Ishizaka it is not only a free but also a very artistically successful recordings. Who knows, only the version of Glenn Gould, who will be surprised once in this recording: Kimiko Ishizaka generally takes significantly more time than Gould. While Gould wanted to represent the contrapuntal structure as a whole (and, with all due respect, even his playful mannerisms), it emphasizes the subtle ramifications canonically constructed within individual sentences. Her playing is clean and does not even in the fast passages hasty. Overall, one gets the impression that she has put great care into each individual variation. I would even go so far as to call it in an original recording (in terms of historical performance practice): Although she was on a modern concert grand (and not on a harpsichord), avoids modernisms Kimiko Ishizaka and interpretive liberties.
To put it in a nutshell: I do not think you should know the Goldberg Variations in only one version. The work is fascinating, too complex to know only the ultimate version - but Kimiko Ishizaka artistically recording can compete with the best recordings to modern concert grand. And, given the large number of recordings a plus point: While digging deep into their pockets for other recordings must obtain a valid here, first class for free admission, with a free license. And anyone who has interest in, the same can also still the notes and / or the iPad app for free to do so.
The sound recording is simply amazing the way, and goes far beyond the level that we know of free shots usually the contrary, the clear, clean and warm sound of the recording can compete with so many commercial recording. Since there's gold in the Open lossless audio formats (FLAC, WAV), one has to fear no audiophile sound degradation through audio compression.
Conclusion: Kimiko Ishizaka recording is not only free, it is also an artistically sophisticated, excellent unconverted recording of the Goldberg Variations. Of course, there is strong competition in the commercial sector, including and especially on the piano (the two recordings by Glenn Gould from 1955 to 1981, I've mentioned before, the shots of Angela Hewitt (2000) and Andras Schiff (2003) are also welcome as reference images called), but this free public domain recording is a very good starting point to enter into the wonderful world of the Goldberg Variations. Who's Goldberg Variations, in a way or other recording does / should have, yet do not let this excellent, thorough recording missed.
Friday, July 13, 2012
Sea Cup July 25 at Gotham Larcomar
The group led by Garcia and Manuel Barrios Wicho, will perform on Wednesday July 25 at the club's Gothic Larcomar Miraflores.
Mar de Copas, which comes from playing in the Acustirock III closing the festival with over 15 thousand people, we will make a tour of their discography from 1993 to present, through classic songs like Suna, Female Night, Runaway, to the issues "caches" claiming their fans.
Mar de Copas is a band to watch live, as evidenced by his lyric sung by his followers memory-, and melody, perfect combination that makes his concerts are always very emotional.
Charles Compson will open the concert, the artist of the last Acustirock III.
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