PlanetZMan can not choose his audience, certainly not on the first European tour. Because everything is possible. From a club filled with hundreds, of whom it pleases no one, to the best gig of the career to eight people, anything goes. The Greek Southern rockers of "Planet of Zeus" had on Tuesday evening at the "Garage Deluxe" luck. The audience was enthusiastic. All 20 who were there.
The Clock shows shortly after nine, when most of the guests walked towards the stage. Planet of Zeus, Greece's flagship property in Southern and heavy rock was loaded - and a few had actually come. First, however, entered the first support band of the night - Tanertill - the stage. His
first act, before the games, decided the two, "sow as mäik se
announcements in English, sou ouch Griek friends kangaroo anda sized
As." Undeterred by the lack of audience and their own English language
skills put Munich's best Modern Stoner Ghost happening rock band and
presented in the usual manner of fat most of her debut album. The
set list, "sow what tunait written in a may eliminate Change sign gud
friend of as" made, definitely feel like the second album that is
currently in the works, and "sometime later this year" was finished, as
guitarist Andi after the performance in good German said.
After a short break with Black Lightning was the second band of the evening at the Munich series. The
trio delivered from an AC / DC-owned Hard Rock show, which would have
fit better in a stadium filled with subtle than in the garage. She
also sought contact with the audience and assured those present a good
decision and waives the Champion's League, and instead have to listen to
Black Lightning.
Finally entered the main characters of the evening the stage. Planet
of Zeus, founded in 2000 and Greece in a large number when it comes to
rock, have to "Eleven the Hard Way" and "Macho Libre" already released
two albums and go to the "Dawn of the Dead" now for the first time in
Europe. The bearded Greeks grabbed their instruments and hit it off.
It's hard to describe what was coming from the Athens quartet, shortly after eleven, in the garage Deluxe. Difficult
because there are so phrases are, you really do not want to thrash, as
they appear in the description of every other village band and were
validated by these false and inflated using now. "Riffgewaltig" for example. Or "fat bass" and "groovy drums." If
we ignore this cliché descriptions, can be Planet of Zeus probably best
described with the following three words: In your face! With incredible energy and precision, they dissected - symbolically - the garage into their individual parts. Its powerful heavy rock, always with the right touch of stoner rock à la Monster Magnet, delighted the audience. That
resulted in a relatively tight-lipped frontman Babis by the event, did
the mood was great, it was much more sympathetic, as they celebrated
their music, despite the relatively empty clubs.
Friday, April 27, 2012
Tuesday, April 24, 2012
Born Free
America, much loved and hated land of infinite possibilities. America itself, but a very out lutschtes topic actually. America, focusing on typical suburban ideal world, and dream images, that have actually discussed a surprising perspective Schaumberger Florian and Marc Thalberg in their joint exhibition "Born Free" at the Art Academy.
Even the invitation flyer for the show seduced to take so zuckerbäckersüß how the two artists, the small American suburban house on a silver tablet just serve the public. But anyone who expects with American kitsch, he was mistaken. Welcomes the visitor in the classroom 0118 by a suburban girl-projection, which is spent on pleasure and passion of Gogostange - perhaps with the hope to become one day the new Lana del Rey? "Mei, wenns give something to the club, what is the point even more real dancers?" Exclaims a guest. Views is not just In Holds. Then, once let loose a little bit to the right the view from the erotic seduction, wood beams blazing with a flag in front of him.
Florian Berger foam, with its projections on installations almost created holograms, "but I like it when everyone sees that, while it looks deceptively flat but is seen projected." He explains. Mark Thalberg has also worked for his work with a projector, but only in the preparatory phase. He has thrown from him with a Photoshop composite photo on the wall and then copied in pixel by pixel. Two women are seeing it. "Why are the exact two women?" He asks in the round. "In my mind I remember the missing man in a family that is involved in the war." Adds Marc.
In the exhibition, the painting is projected in a darkened room with diffused light, dancing around, black plastic balloons, powered by fans. A strange atmosphere hangs in the room - the animated balloons act as überdimensonialisierte bugs or flying swarms of souls, or at least indefinable organic. They have a mystical swarm dynamics, curve around the body of the visitor or invite her to a play. As image and balloons linked remain a little unclear exactly. "Plastic." Says Marc. "America is not any plastic?" If only the word plastic melts on the tongue like artificial sweetener. (Note to the author so I just ...). Whatever. Exhibitions are good, if not it can replace the pictures in the remotest experience with the art suburb. In Born Free is that, and that's nice! Nice that Intel's Museum of Me went to media art in real space can actually do anything!
PS: Marc Thalberg was the way a sound worth listening cloud of very fine techno.
A photo gallery of the exhibition can be found at Selbstdarstellungssucht.de
"Born Free" - Florian and Marc Schaumberger Thalberg, to 29.04 from Monday to Wednesday (10-18 Clock) and Friday to Sunday (14-22 Clock) in the Academy of Fine Arts in Munich, 1st floor room in the 0118th
Even the invitation flyer for the show seduced to take so zuckerbäckersüß how the two artists, the small American suburban house on a silver tablet just serve the public. But anyone who expects with American kitsch, he was mistaken. Welcomes the visitor in the classroom 0118 by a suburban girl-projection, which is spent on pleasure and passion of Gogostange - perhaps with the hope to become one day the new Lana del Rey? "Mei, wenns give something to the club, what is the point even more real dancers?" Exclaims a guest. Views is not just In Holds. Then, once let loose a little bit to the right the view from the erotic seduction, wood beams blazing with a flag in front of him.
Florian Berger foam, with its projections on installations almost created holograms, "but I like it when everyone sees that, while it looks deceptively flat but is seen projected." He explains. Mark Thalberg has also worked for his work with a projector, but only in the preparatory phase. He has thrown from him with a Photoshop composite photo on the wall and then copied in pixel by pixel. Two women are seeing it. "Why are the exact two women?" He asks in the round. "In my mind I remember the missing man in a family that is involved in the war." Adds Marc.
In the exhibition, the painting is projected in a darkened room with diffused light, dancing around, black plastic balloons, powered by fans. A strange atmosphere hangs in the room - the animated balloons act as überdimensonialisierte bugs or flying swarms of souls, or at least indefinable organic. They have a mystical swarm dynamics, curve around the body of the visitor or invite her to a play. As image and balloons linked remain a little unclear exactly. "Plastic." Says Marc. "America is not any plastic?" If only the word plastic melts on the tongue like artificial sweetener. (Note to the author so I just ...). Whatever. Exhibitions are good, if not it can replace the pictures in the remotest experience with the art suburb. In Born Free is that, and that's nice! Nice that Intel's Museum of Me went to media art in real space can actually do anything!
PS: Marc Thalberg was the way a sound worth listening cloud of very fine techno.
A photo gallery of the exhibition can be found at Selbstdarstellungssucht.de
"Born Free" - Florian and Marc Schaumberger Thalberg, to 29.04 from Monday to Wednesday (10-18 Clock) and Friday to Sunday (14-22 Clock) in the Academy of Fine Arts in Munich, 1st floor room in the 0118th
Monday, April 23, 2012
The Black Keys and John Fogerty pay tribute to Levon Helm of The Band
The second weekend of Coachella 2012 has had many surprises. One of the most talked about was the joint version of The Black Keys and John Fogerty (Creedence Clearwater Revival) performed 'The Weight' in order to pay tribute to Levon Helm, The Band mythical musician who died last week and that in his long musical career was also recognized for his work with the band that backed Bob Dylan on his first tour electric (The Hawks).
Past and present of rock n 'roll together and paying tribute to an old Glora sector. Perhaps we could think of a better way to fire a big music history? I doubt it. Rest in peace Levon.
Past and present of rock n 'roll together and paying tribute to an old Glora sector. Perhaps we could think of a better way to fire a big music history? I doubt it. Rest in peace Levon.
Friday, April 20, 2012
Stunning dark
The chilling darkness, the stunning embarrassment of this music is deeply penetrated my consciousness, and makes me freeze in awe of this amazing soundscape. After the excellent "Amen" EP (tape edition via sound relationships) last year, ΔAIMON place now with "Flatliner" after. Nebulous dream-pop, fuzziness Industrial sounds, scraping drag elements, drones uncomfortable, scratchy textures, Half-Step-tech and secretive aspirated vocals are brought together into a unique sound blend. Gloomy, uncomfortable, intelligent neo-synth-pop. Unparalleled, outstanding!
"Flatliner" on 17 April 2012 published by Tundra exquisite Dubs label from San Francisco. The album can be heard on the band's camp-site of the label in its entirety and purchased as a limited LP or download are.
"Flatliner" on 17 April 2012 published by Tundra exquisite Dubs label from San Francisco. The album can be heard on the band's camp-site of the label in its entirety and purchased as a limited LP or download are.
Thursday, April 19, 2012
Shared pain
Xiuxiu_München concerts by Xiu Xiu are something of suffering in the semi-public space, so the visitor pays a small contribution to the best possible view of the self-flagellation by Jamie Stewart, played catch with his current three-man backing band. So also on 10 April in the moderately filled crane hall of the Munich plant celebration.
Fair to accuse anyone of having chosen that evening for another form of entertainment - the performances by the Americans are not particularly easy rezipierbar, ranging from the almost non-existing interaction with the audience to spread the four on and off the stage a physically noticeable discomfort, an unpleasant intersection of rugged, repellent gesture and harassed unrest. Most clearly the focus, of course, in the person of Jamie Stewart himself - a driven man who writhes with a faraway look on his guitar, his (selbstbezeugt) ill feelings from the prying eyes down there accused to be devoured, while apparently so under pressure that is says he'll be able to bring the evening to end non-healing.
If he does, of course, but - surprise at all, you have him and his band credit, the music that accompanies this outward display of pain and transformed wonderful, finest indie and post rock is - cold, of course, but also fascinating. This applies to the pieces of his fabulous new album "Always", especially the single "Hi", "Joey's Song" and "Beauty Towne," as well as for older songs, with "Fabulous Muscles," "The Fox And The Rabbit "" I Love The Valley OH! "he mixes his set balanced between past and present. In between, again, the almost obsessive mouthwash using two different liquids, the handwritten change a guitar string (elsewhere the industrious Roadie using a second instrument quickly bridges) in any case of Stewart - no one dares the audience even utter a sound at all - the tense, proverbial ordeal. So much louder then the cheers for two successful cover versions done already seems "Ceremony" from the late work of Joy Division and for this band and this evening, when the furious encore "Frankie Teardrop" staggers from Suicide and jumps Stewart, from his own microphone cord strangled , with lucid smile across the stage - the big show. And certainly the end of an unconventional, but successful evening.
Fair to accuse anyone of having chosen that evening for another form of entertainment - the performances by the Americans are not particularly easy rezipierbar, ranging from the almost non-existing interaction with the audience to spread the four on and off the stage a physically noticeable discomfort, an unpleasant intersection of rugged, repellent gesture and harassed unrest. Most clearly the focus, of course, in the person of Jamie Stewart himself - a driven man who writhes with a faraway look on his guitar, his (selbstbezeugt) ill feelings from the prying eyes down there accused to be devoured, while apparently so under pressure that is says he'll be able to bring the evening to end non-healing.
If he does, of course, but - surprise at all, you have him and his band credit, the music that accompanies this outward display of pain and transformed wonderful, finest indie and post rock is - cold, of course, but also fascinating. This applies to the pieces of his fabulous new album "Always", especially the single "Hi", "Joey's Song" and "Beauty Towne," as well as for older songs, with "Fabulous Muscles," "The Fox And The Rabbit "" I Love The Valley OH! "he mixes his set balanced between past and present. In between, again, the almost obsessive mouthwash using two different liquids, the handwritten change a guitar string (elsewhere the industrious Roadie using a second instrument quickly bridges) in any case of Stewart - no one dares the audience even utter a sound at all - the tense, proverbial ordeal. So much louder then the cheers for two successful cover versions done already seems "Ceremony" from the late work of Joy Division and for this band and this evening, when the furious encore "Frankie Teardrop" staggers from Suicide and jumps Stewart, from his own microphone cord strangled , with lucid smile across the stage - the big show. And certainly the end of an unconventional, but successful evening.
Wednesday, April 18, 2012
Nina Hagen and band live - People Beat Tour 2012 in Muffathalle
Nina Hagen with her people in the Beat Tour 2012 04/21/2012 Muffathalle in MünchenAm it in the Muffathalle flashy, colorful and extremely crazy, because Nina Hagen, together with her band as part of the "People Beat Tour 2012" in Munich as a guest. The great cultural editors of the leading media, this time in complete agreement: Nina Hagen - the only German pop icon of international repute, the dazzling diva with a difference, the shrill exceptional singer - was always present, the media always ... and yet it is back. After your CD "Personal Jesus", which could climb the charts worldwide and has been praised by cultural critics, as well as the associated churches of sold-out tour of Nina will now return to your roots: The legendary Nina Hagen Band. Together with this she not only goes back on tour, recently published sondenr with "people beat" another CD.
Sure, Nina Hagen, this work also to her audience, her fans worldwide would like to introduce live - and that can only be implemented in unbestuhlten venues such as the Muffathalle not in churches. Nina has always been persecuted wayward projects, with great success, because their fans do not just interchangeable artists, but artists with that special something with aura. Qualities, then, the Nina has definitely.
Let us only once to the great Brecht Project, together with musicians of the new buildings and Meret Becker, to the project with great swing orchestra and of course their real rock concerts. No matter what project Nina is on stage, it's always Nina pure and never missing their big hits, from "Zoo Station" to "TV Glotzer" - presented as always, the audience always get what it says: Nina Hagen.
On your new CD, "Beat People" is dedicated to the Christian convinced Nina Hagen, along with new songs and songs with texts by Brecht, Biermann, Luther and some legendary songwriters in America. In addition to singing diva schwirrle again in good selling native German.
Come and visit Nina Hagen and her band with folk Beat Tour 2012 on 04.21.2012 in the Muffathalle in Munich. The team from Munich Blog wishes much fun.
Sure, Nina Hagen, this work also to her audience, her fans worldwide would like to introduce live - and that can only be implemented in unbestuhlten venues such as the Muffathalle not in churches. Nina has always been persecuted wayward projects, with great success, because their fans do not just interchangeable artists, but artists with that special something with aura. Qualities, then, the Nina has definitely.
Let us only once to the great Brecht Project, together with musicians of the new buildings and Meret Becker, to the project with great swing orchestra and of course their real rock concerts. No matter what project Nina is on stage, it's always Nina pure and never missing their big hits, from "Zoo Station" to "TV Glotzer" - presented as always, the audience always get what it says: Nina Hagen.
On your new CD, "Beat People" is dedicated to the Christian convinced Nina Hagen, along with new songs and songs with texts by Brecht, Biermann, Luther and some legendary songwriters in America. In addition to singing diva schwirrle again in good selling native German.
Come and visit Nina Hagen and her band with folk Beat Tour 2012 on 04.21.2012 in the Muffathalle in Munich. The team from Munich Blog wishes much fun.
Monday, April 16, 2012
Listen to 'Burn It Down', first single from the new Linkin Park
Confirmed: June 26 is the day which will release "Living Things", the new and last Linkin Park. Besides working with Owen Pallett (Final Fantasy) have a drive titled first single 'Burn It Down' which can be heard from now through YouTube. Enjoy it here at Binaural.
The style of the piece so much to remember that we are in "A Thousand Suns". Still seems to have left a hair over that point techno band to get into a more industrial area seen in "Wretches & Kings", "Fallout" or "Robot Boy". At the moment we think the findings in these four minutes of duration of 'Burn It Down' but still have to do with that we will run the rest of the LP.
Do you like the single? Are you up to what you expected of 'Burn It Down'?
The style of the piece so much to remember that we are in "A Thousand Suns". Still seems to have left a hair over that point techno band to get into a more industrial area seen in "Wretches & Kings", "Fallout" or "Robot Boy". At the moment we think the findings in these four minutes of duration of 'Burn It Down' but still have to do with that we will run the rest of the LP.
Do you like the single? Are you up to what you expected of 'Burn It Down'?
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